Intro to Premiere Pro II – Advanced Color Correction, Time Ramping, Effects & Text Titling

Description

CLASS DETAILS
Runtime: 1 hour 30 minutes | Up to 1440p (2K) Resolution | Speed Control (.5 – 2x) | Interactive Chapter Markers | Bonus Downloadable Practice Files and Resources Included

CLASS OVERVIEW

Now that we’ve learned the basics of video editing within Adobe Premiere Pro, it’s time to get a more comprehensive understanding of Advanced Lumetri Color Correction using Hue Saturation Curves, Lumetri Scopes, HSL Secondary Corrections, Time Ramping, adding and manipulating Effects and Text Titling. Intro to Premiere Pro II, will take you beyond a basic comprehension and help you gain a mastery of more advanced techniques.

Taught by Joel Penner – Newmediasoup, LLC, he will teach you techniques that he uses in his underwater video editing!

CHAPTERS
00:00:08 – Introduction
00:01:41 – Rough Cut of Video (Demo)
00:03:21 – Finished Video (Demo)
00:05:08 – Time Remapping
00:12:53 – The Finished Speed Ramp
00:14:02 – Speed Ramping (Clip 2)
00:15:58 – Questions about Time Remaping
00:16:16 – Other ways to use Time Ramping
00:17:17 – Should we always shoot in 60fps?
00:18:01 – Tiger Shark Time Ramping
00:19:55 – Difference between Speed and Time Remapping
00:20:45 – Different Ways to Work When Time Remapping
00:22:34 – Order for working
00:23:41 – Workspaces Revisited
00:25:07 – Basic Color Correction
00:26:06 – Color Picker White Balance
00:26:45 – Introduction to Lumetri Scopes
00:27:15 – Referencing the Histogram
00:28:26 – RGB Parade
00:29:21 – Vectorscope
00:30:54 – Color is Subjective (Sometimes!)
00:33:14 – How do I get to my Lumetri Scopes?
00:33:44 – Different Lumetri Scope Presets & Types
00:35:02 – When the Color Picker Fails
00:36:04 – Curves Panel
00:36:17 – RGB Curves
00:37:25 – Hue Saturation Curves
00:39:11 – Removing Cyan Color Cast
00:41:44 – Copying Color Correction to Other Clips
00:44:45 – Copy and Paste Color Correction to Multiple Clips
00:45:21 – Fixing Color Temperture Variations in Same Clips
00:46:41 – Removing extra points from Hue Sat Curves
00:47:05 – Discussion about Copying Color Correction
00:48:14 – Discussion about Color Correction vs. Grading
00:51:44 – Goals in Editing/Color/Continuity
00:52:48 – Recap on Importance of Color for Underwater
00:53:58 – More WB and Clipping Correction
00:56:33 – The Graphics Workspace
00:57:02 – Essential Graphics
00:58:02 – Creating Your First Title Overlay
00:59:46 – Duplicating Titles
01:03:00 – Getting to The Effects Panel
01:03:23 – Applying Video Transitions
01:04:14 – Basics of Animation, Motion Control, Tweening
01:06:20 – Dirty Tricks – HSL Secondary
01:06:54 – Changing the Color of the REVO to Pink
01:10:16 – Selective Color on a Blue Ring Octopus
01:12:20 – Previewing Your Work
01:13:42 – Discussion on Color – What’s correct? What’s Real?
01:15:30 – Challenges with Underexposed Footage
01:16:10 – Limitations of Video Files Unless You’re Shooting
01:17:04 – My Hope for You…
01:17:20 – Thoughts about Workspaces/Layouts
01:19:38 – Requirements/Considerations for Using Premiere Pro
01:22:22 – Chat about Hard Drive Space for Video
01:24:22 – How to Make Panels Fill the Window?
01:26:18 – Differences: Time Remapping vs. Warp Stabilizer
01:26:57 – Using Warp Stabilzer on Wobbly Footage
01:28:53 – Thank You for Attending!

© Go Ask Erin / Newmediasoup, LLC