Nerd Alert! Lightroom 12.3 Packs A Whammy With AI Powered Noise Reduction, And Tone Curve Adjustments In The Masking Panel!
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Nerd Alert! Lightroom 12.3 Packs A Whammy With AI Powered Noise Reduction, And Tone Curve Adjustments In The Masking Panel!

Some exciting news from Adobe! Lightroom version 12.3 drops some new features underwater photographers are going to love!
The first new feature is something many underwater photographers have been asking for. You can now remove noise from your high ISO underwater images using Artificial Intelligence!

Nerd Alert! Capture Time Adjustment in Lightroom
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Nerd Alert! Capture Time Adjustment in Lightroom

For those of you who aren’t so good at remembering to set the time in your camera to match the time zone you’re shooting in – it’s possible to change the original capture time of your image from within Lightroom Classic, after the fact. Here’s a short tutorial video demonstrating the technique.

Seven Deadly Booby Traps in Lightroom Classic
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Seven Deadly Booby Traps in Lightroom Classic

I love Lightroom, but it’s not without a few pitfalls. After years of real-world studio and classroom experience, I’ve identified a bunch of booby traps that consistently derail new and old users alike. Booby Trap: “Default Catalog” at start up When you first launch Lightroom, a new “default” catalog (.lrcat file) is created in your…

Don’t Wreck Your Image
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Don’t Wreck Your Image

Do’s and Don’ts of Editing Wreck Photos Whether moody or magnificent, wreck shots can be a real challenge to edit. Typically taken in less-than-optimal conditions, most wreck photos need help in post to achieve maximum impact. Lightroom and Photoshop offer an impressive array of tools to tease out texture and contrast, but missing the target…

More Shooting, Less Troubleshooting – How to Prepare your Digital Tools for Travel
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More Shooting, Less Troubleshooting – How to Prepare your Digital Tools for Travel

There’s nothing worse than discovering you’re missing a critical piece of gear on a long-awaited dive adventure. Most underwater photographers stress out before a trip, checking and re-checking their camera and dive equipment to make sure all the required bits and pieces are packed and in working order, but they often forget to prepare their…

The Secret Life of Collections in Lightroom
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The Secret Life of Collections in Lightroom

Many people get off on the wrong foot with Lightroom. They jump straight into the Develop Module, hoping to attain instant editing wizardry. They suffer through the drudgery of folder organization at the most superficial level possible, and only then because it’s required to reliably locate and manage images. But in giving the Library module…

Texture vs. Clarity vs. Dehaze
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Texture vs. Clarity vs. Dehaze

Finding the Perfect Punch for Your Pictures I simultaneously love and fear the addition of any significant new feature in Lightroom or Photoshop. Love, because it potentially enriches my editing bag of tricks. Fear, because for a time after its initial introduction it’s used to excess by pros and enthusiastic amateurs alike, resulting in a…

Mastering a Develop Module Workflow
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Mastering a Develop Module Workflow

There’s a yin-yang involved with post-production in Lightroom. In the Library Module, building an asset management strategy often seems more like a chore than a creative endeavor, while editing in the Develop Module requires creativity and artistic vision. Despite their differences, both sides of the Lightroom coin are essential to provide the best environment for…

How to Relink Missing or Offline Files in Lightroom
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How to Relink Missing or Offline Files in Lightroom

I don’t know a single Lightroom user (me included) who hasn’t noticed alarming exclamation point or question mark icons sullying their Lightroom Library. It can be downright scary to get a warning message on the screen that files are offline or missing, but the truth of the matter is usually no cause for panic. The…

Here Comes the Judge – 10 Tips for Winning Photo Contests
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Here Comes the Judge – 10 Tips for Winning Photo Contests

As a frequent judge of underwater photo competitions, I’m tasked to evaluate thousands of competing images. It’s rare that the technical merits of an image, though critically important, are the only criteria by which contest winners are ultimately chosen. Sometimes the difference between being a winner or loser simply comes down to the judges’ taste,…

Lightroom Classic CC vs. Lightroom CC – Which one is right for you?
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Lightroom Classic CC vs. Lightroom CC – Which one is right for you?

Lightroom is Adobe’s professional level one-stop-shop for organizing, editing, and sharing images. It’s the perfect companion to Photoshop, and has been the photo editing industry standard for more than a decade. In October of 2017, Adobe significantly changed the Lightroom lineup, offering multiple versions of its subscription-based Creative Cloud Photography Plan, and effectively discontinuing Lightroom…

Jump Start Your Editing with New Easy-To-Use Profiles in Lightroom Classic

Jump Start Your Editing with New Easy-To-Use Profiles in Lightroom Classic

In “What’s Wrong with This Image? Mastering a Develop Module Workflow”, I emphasized the importance of selecting a camera profile early in the editing process. Lightroom has long offered camera profiles to emulate in-camera picture styles, but until recently they were hidden away in the Camera Calibration panel at the bottom of the panel stack….

Five Invaluable (but hidden) Lightroom Features

Five Invaluable (but hidden) Lightroom Features

As Lightroom evolves, new functionality is added to what’s already a stunningly deep piece of software. Showy new features get lots of exposure, but subtler components of an update may go unheralded, quickly becoming “hidden” features that only the most avid users are hip to. In addition, common tools in each module often have a…

Home on the Range

Home on the Range

Mastering Lightroom Classic’s Color and Luminance Range Masking Tools With the addition of Color and Luminance Range Masking to Lightroom Classic, Adobe bestowed new superpowers to the Adjustment Brush, Graduated Filter, and Radial Filter. Range masking tools are a great way to bring pro-level precision to your local adjustments, allowing you to build complex masks…

Wreck Tech in Post – 3 tips for editing wreck photos
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Wreck Tech in Post – 3 tips for editing wreck photos

I love working with wreck photos. They’re rich with all kinds of form, texture and gritty, scratchy detail. They’re dramatic and moody, and hold up surprisingly well in less-than-perfect conditions. Here are 3 tips to help make wreck images pop in post.   Do Black and White right.   Wreck photos shot with ambient light…

Where the #$&! Are My Images?
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Where the #$&! Are My Images?

Digital Asset Management 101 for Lightroom The single most common question I’m asked about Lightroom is “Where the #$&! are my images?”. Understanding how Lightroom manages and displays information can help you stay organized and out of DAM (Digital Asset Management) trouble.   The Lightroom Catalog The Lightroom Catalog is an immensely powerful database that…

The Right Stuff – Best Tools for Getting Spots Out of Your Shots
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The Right Stuff – Best Tools for Getting Spots Out of Your Shots

I wish I had a magic bullet for backscatter removal, but the truth of the matter is that to get spots out of your shots, you’ve got to master more than one technique. The Lightroom Spot Removal Tool In Lightroom, you’re limited to a single, rather clumsy Spot Removal tool. Click once on a piece…

Take Your RAW Adjustments to Eleven
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Take Your RAW Adjustments to Eleven

Why take your RAW adjustments to eleven? Because it’s one louder than ten, as Spinal Tap’s Nigel Tufnel so aptly puts it. The expression “taking it to eleven” refers to the act of taking something to an extreme, and although I usually don’t recommend taking post-processing to an extreme, there are times when a little…

Detail Oriented – Getting Tack Sharp Images in Post with the Detail Panel
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Detail Oriented – Getting Tack Sharp Images in Post with the Detail Panel

Don’t get too excited. The techniques in this article won’t rescue your out-of-focus images. Out-of-focus photos can’t be recovered in post, but you can (and should) enhance the sharpness of properly focused pictures to maximize their potential. What is Sharpness? Without getting too technical, you might say that sharpness is edge contrast. Sharp edges have…

Pimp Your Grid in Lightroom
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Pimp Your Grid in Lightroom

It’s easy to customize the Lightroom Library’s Grid and Loupe Views to display useful information. Searching, sorting, and rating are much easier when you can see specific metadata right on the image thumbnail, and being able to toggle through additional information like camera settings helps when analyzing your photos in Loupe (single image) View. By…

One Catalog to Rule Them All
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One Catalog to Rule Them All

Using a single catalog makes the most of Lightroom’s superpowers A Lightroom catalog is much like an old-school card catalog in a brick-and-mortar library. It contains all kinds of information (metadata) about your images — their physical location on a drive, keywords, ratings and even Develop Module changes, but it does not contain the actual…

Let There Be Light
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Let There Be Light

Using Lightroom’s filter tools to reposition your strobes in post One of the most difficult skills to master in underwater photography is lighting. While it’s always best to get it right in camera, Lightroom provides powerful local tools to help finesse your lighting after the fact. My favorites are Lightroom’s Graduated and Radial Filter tools….

Keep Sharks Looking Sharp in Post
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Keep Sharks Looking Sharp in Post

Sharks are a favorite photographic subject of mine. Over the years, I’ve developed a few post-production techniques that help to mitigate common problems and emphasize desirable details in shark images.   Desaturate with an Adjustment Brush to remove unwanted cyan color on your shark.   In the Develop module of Lightroom, click on the Adjustment…

Optimizing Exposure by ETTR – Exposing to the Right
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Optimizing Exposure by ETTR – Exposing to the Right

If you’re not already shooting with the help of your camera’s histogram, it’s time to start. A histogram is a graph that shows the distribution of tonal values from black to white in your image, and it’s a very accurate indicator of overall exposure. By not checking out the histogram as you shoot, your exposures…

10 Hidden Workflow Secrets in Lightroom
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10 Hidden Workflow Secrets in Lightroom

Lightroom is a deep program with amazing functionality. Despite (or maybe because of) the enormous amount of documentation available online and elsewhere, it can be tough to unearth some often overlooked but otherwise useful features. Here are ten of my favorites. Library Module Secrets   Do you know where your images are? Select “All Photographs”…

The Export Module – A Basic Guide to Getting Your Images Out of Lightroom
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The Export Module – A Basic Guide to Getting Your Images Out of Lightroom

Lightroom is a near-magical piece of software. It’s both librarian and technician for your digital images, and unlike Photoshop, it leaves your original photo untouched throughout the entire editing process. How do you create a version of your image that’s suitable for social media, email, or printing? In Lightroom, you don’t save photos in the…

Avoiding Rookie Mistakes
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Avoiding Rookie Mistakes

I just finished judging a photo contest, and although the rules were made very clear to the contestants, a few excellent photos were still disqualified because of willful or unintentional violations. Some pictures didn’t make it because of over-zealous editing. It’s a shame to see potentially winning images get booted from a contest, but it…

Dial-a-Blue – Adjusting the Color of Water using Adobe Lightroom
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Dial-a-Blue – Adjusting the Color of Water using Adobe Lightroom

I attribute the phrase “dial-a-blue” to Berkley White, shooter extraordinaire and owner of Backscatter Photo and Video. I first heard Berk use the phrase to describe a specific shooting technique, but I’ve since discovered many cool ways to also dial-a-blue during the editing process. In this tutorial, I make use of the massively powerful Hue…