
Post navigation
Similar Posts

Mastering a Develop Module Workflow
There’s a yin-yang involved with post-production in Lightroom. In the Library Module, building an asset management strategy often seems more like a chore than a creative endeavor, while editing in the Develop Module requires creativity and artistic vision. Despite their differences, both sides of the Lightroom coin are essential to provide the best environment for…

Jump Start Your Editing with New Easy-To-Use Profiles in Lightroom Classic
In “What’s Wrong with This Image? Mastering a Develop Module Workflow”, I emphasized the importance of selecting a camera profile early in the editing process. Lightroom has long offered camera profiles to emulate in-camera picture styles, but until recently they were hidden away in the Camera Calibration panel at the bottom of the panel stack….

10 Hidden Workflow Secrets in Lightroom
Lightroom is a deep program with amazing functionality. Despite (or maybe because of) the enormous amount of documentation available online and elsewhere, it can be tough to unearth some often overlooked but otherwise useful features. Here are ten of my favorites. Library Module Secrets Do you know where your images are? Select “All Photographs”…

Nerd Alert! How to permanently trash images while working in a Collection
It’s not possible to permanently trash images while working in a Collection…or is it? By default, images deleted from a Collection are not permanently deleted from the Lightroom Catalog or (more importantly) from your hard drive.

Wreck Tech in Post – 3 tips for editing wreck photos
I love working with wreck photos. They’re rich with all kinds of form, texture and gritty, scratchy detail. They’re dramatic and moody, and hold up surprisingly well in less-than-perfect conditions. Here are 3 tips to help make wreck images pop in post. Do Black and White right. Wreck photos shot with ambient light…

Here Comes the Judge – 10 Tips for Winning Photo Contests
As a frequent judge of underwater photo competitions, I’m tasked to evaluate thousands of competing images. It’s rare that the technical merits of an image, though critically important, are the only criteria by which contest winners are ultimately chosen. Sometimes the difference between being a winner or loser simply comes down to the judges’ taste,…